Kittler: discourse on discourse channel conditions and Pink Floyd

Geoffrey Winthrop Young characterises Kittler’s later work as a shift to dealing with “technological” as opposed to a  “communication” medium. “Writing operates by way of a symbolic grid which requires that all ‘data pass through the bottleneck of the signifier’ 9Kittler 1999: 4), whereas phono-, photo- and cinematographic analog media process physical effects of the …

Kittler: early, late but always media

For Friedrich Kittler too, the “subject’ is a core concern. This is obviously apparent in Discourse Networks, 1800-1900 (1990) where he draws connections between pedagogical techniques and the mergence of the modern subject through a merger between Foucauldian archaeology and Lacanian psychoanalysis. For early Kittler biopower was at the heart of the discourse networks he …

Friedberg: metaphor and materiality

For Anne Friedberg, the frame is more than a metaphor. Although she starts The Virtual Window: From Alberti To Microsoft with “Alberti’s window metaphor” (2006: 12), and then goes on to discuss Windows and “the window”, she is looking to do more than simply show how Microsoft’s engineers and marketing teams used the metaphor to position …

Paper proposal… in process: photography and ontology

This paper seeks to approach the philosophical questions around digital photography through the lens of ‘speculative realism’. Taking Graham Harman’s reading of Bruno Latour’s Irreductions as a starting point and developments characterised as the “speculative turn” in continental philosophy as a framework, I seek to account for the enfolded position of the digital image and …

James Burke’s Connections and media archaeology

In the 1970s James Burke hosted a TV series, Connections where the audience was taken on a journey from one technological object to another (Burke 1978). The programme started with Burke presenting an unlikely partnership: the manorial system and the carburettor for instance. What could be the connection, the audience was asked and then the …