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Down Burditt (sic) Road.
http://www.theinternationale.com/PATHgreetings/
A photographic exhibition that takes us from Pulp to ‘The Street Where You live.
Mile End
By: Pulp
We didn’t have nowhere to live
We didn’t have nowhere to go
’til someone said “I know this place off Burditt Road.”
It was on the fifteenth floor
It had a board across the door
It took an hour to pry it off and get inside
It smelt as if someone had died
The living-room was full of flies
The kitchen sink was blocked
The bathroom sink not there at all
Ooh, it’s a mess alright
yes it’s… Mile End
And now we’re living in the sky
I’d never thought I’d live so high
Just like Heaven
If it didn’t look like Hell
The lift is always full of piss
The fifth floor landing smells of fish
Not just on Friday, every single other day
Below the kids come out tonight
They kick a ball and have a fight
And maybe shoot somebody if they lose at pool
Ooh, it’s a mess alright
Yes it’s… Mile End
Oo-ooh
Nobody wants to be your friend
’cause you’re not from round here, ooh
As if that was something to be proud about
The pearly king of the Isle of Dogs
Feels up children in the bogs
Down by the playing fields
Someone sets a car on fire
I guess you have to go right down
Before you understand just how
How low, how low a human being can go
Ooh, it’s a mess alright
Yes it’s… Mile End.
When we started talking over how to approach the reverse on work on these Mile End Estates we felt very strongly that this community was going to have a tough time during the building process. Many many new dwellings were to be created in this ugly, ignored little corner of the borough. The original blocks of flats had been built forty years earlier. They had been lushly planted. There still remained a few of the glorious cherry trees. Some devoted hand had grafted White and pink trees together. When they were in bloom these streets and square must have been glorious. Lots of the resident here had lived with streets of the flats they now rented for generations.
My colleague had grown up on these streets. We both knew that this was the heart of the east end, thaws people. The buildings were being dwarfed and altered, the corner pubs and the shops and the markets had all gone. Like a species of wonderful creatures living in a rainforest, the environment of the people here was being decimated and they were feeling threatened with extinction.
A real cockney community.
I needed to meet people, and listen to them.
Bit by bit I got to know a few of the women and gradually they decided that although I was an outsider, (I have only lived in east london since the mid 80’s) I was ok, and they started talking.
They told me about their stories of the places they had seen changing. The memories of where they played, where they had parties to celebrate Royal events, who had lived where and who was related to whom. I heard about tragedies and laughed myself to tears at the dry wit of the women.
Over the last year I have got to know people better and better. It takes me ages to move through the area sometimes, so many people to stop and listen to, so many stories and so many lives unfolding .
Every door and window has a story cluster. There are possibilities we are sharing, plans we are making together to bring back the best bits of the habitat.
I am a little bit in love with all of this.
The pictures I started taking began to look very different as the landscape came to life through the stories or place I was being given. I felt as though I wanted to share this new way of seeing Mile End.
What better way to do this than a set of postcards. ‘Greetings from Mile End.’
And the song in my head had changed.
On the Street Where You Live.
I have often walked down this street before;
But the pavement always stayed beneath my feet before.
All at once am I Several stories high.
Knowing I’m on the street where you live.
Are there lilac trees in the heart of town?
Can you hear a lark in any other part of town?
Does enchantment pour Out of ev’ry door?
No, it’s just on the street where you live!
And oh! The towering feeling
Just to know somehow you are near.
The overpowering feeling
That any second you may suddenly appear!
People stop and stare. They don’t bother me.
For there’s no where else on earth that I would rather be.
Let the time go by, I won’t care if I
Can be here on the street where you live.
Several months have passed since I last wrote.
I haven’t been idle. In fact I have returned to face to face work in quite unexpected way.
From the first sessions that we started to run on this cluster of estates I was aware that there were issues that ran very deeply through these communities.
I didn’t have a budget for lots and lots of Playwork hours. I did have time to focus of the work myself.
This gave me an interesting problem. How do you help a group of kids to liberate their own playing when the adult community is so hurt that they protect their children from the playing of play workers. On other estates we had met with hostility, refusal police reports, official complaints, threats of violence cold bleak refusal to cooperate, bland indifference. Mostly these initial reactions melted into either a benign disregard or a warm welcome.
However on this estate there was always a problem. The children were always allowed , even encouraged to play. But the adults would always be an eyes length away. The loose parts would always be wrong. The things we did with the kids were never right. The children we worked with were always the wrong ones. The children were not encouraged to play outside and when playing in the community centre there would be a string of urgent concerns. The children should not have hot chocolate to drink. Sugar, safety concern s for hot liquids? We could feel or find no rationale, no logic no consistency. If we bang to find a little relaxed comfort, then we found that a kind of pseudo racism appeared. For ages we had to over staff the project to keep the balance of Asian and non Asian staff feeling supported. The inconsistency of the responses gave lie to the racism. There would be hot words coming from parents and children while the same children rough and tumbles and tickled and giggled with a young Bengali play worker..
The fabric bundle of sari materials was scoffed at by the children. ‘paki material. I’m not using that.’ yet the sari was in continual use. It was a tent, the boys dressed in it. The girls buried themselves in it’s soft pink and gold folds.
I had been given this cluster of estates to work on because of a reutation that they had for intensive drug use. Gang violence , racism, hard to reach families and appallingly low social indices. But my initital work with adults here , funded by the social cohesion work of tower hamlets council.
Explore social cohesion agenda
When I started to work a colleague sent me a link to Mile End by Pulp. So grim. I had lived in this area and brought up my children here and I still rushed though or around the ugly estates. I didn’t know them they were the unknown. The badlands. Alien to my comfortable victorian terraced house.
Yet here I found a tight knit group of people straight from the pages of family and kinship. Doors were left unlocked, women popped in and out of each others homes. Co-patented children, took care of each other. Laughed and cried and had funerals and weddings and confirmations. Black and Asian families were there too, and known and lived alongside as neighbours. The stories we’re all of playing out on the square, watching out for the kids , parties in the squares in the middle of their homes. Of holidays spent together in caravans and the macrame of friends and family ties.
I found here what every family dreams of. A place with good neighbours of many generations, who have lived together and known each other for decades, who shared space and understanding and trust, who lived in, what I realised, was a smallish village. It should have been like heaven, if it hadn’t, for some reason, seemed as if there was some sort of a he’ll upsetting the apple cart.
I am still working here.
I have enough hindsight now to have a little wisdom and a bit of understanding though we must never be complacent or smug. I learn and understand more of every second of every day I am with these wonderful people.
It has bugged me that for the first time in many years, I have not been writing my Playwork experiences up.
But somehow I have not been able to unjumble the words. I am loving this experience in the same way and with the same intensity that I loved to manage the inclusive Adventure Playground.
Perhaps that makes me more than a little afraid.
Perhaps I had thought I had escaped to the physical and emotional safety of a desk and screen. though it is true that one is exposed there to rude, arrogant corrupt and idle officials and heartbreakingly inert organisations.
But that keyboard work is always removed from the personal finger on the pulse. It’s easy to blame the gross mismanagement and dishonesty of the systems that claim to be there to serve… But this work takes place at the place where corruption and mismanagement impact upon people. Here, we make eye contact.
This is where it all stops being hypothetical.
I will try to write this up regularly.
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