Tweets for the week :: 2011-03-20

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Belay: 20 March 2011

Belay: 20 March 2011 (For other belays and the idea behind them, see here).

I am exploring the relationship between the jpeg compression protocol and the new photographic and imaging practices of sharing, publishing, streaming, archiving and remixing online, by understanding jpeg as an object setting in motion ways of seeing, imaging and imagining (or imag(in)ing as I call it), just as other scopic apparatuses from the camera obscura to the most modern medical imaging tools have done. In particular I focus on how jpeg is implicated in the creation and exploitation of social digital archives that are enfolded in powerful material governmental relations.

These research questions arise from practice-research. Through a series of imaging experiments with protocol I have failed to pin down protocol but rather have been left with the trails of the issues, the traces of its operation and relations but not jpeg itself. I can find dot jpeg not jpeg. Jpeg withdraws from view but at the same time appears in multiple connections across the scopic/computational/governmental regime. My practice has become imag(in)ing a digital imag(in)ing apparatus which explores this withdrawl and connection.

The apparatus is built around the idea of the “digital imaging pipeline”, a conception of how digital imaging works that engineers use to design and produce hardware and software. The apparatus (so named to locate it within an assemblage of past, present and future scopic and imag(in)ing devices that my media archaeology looks to trace) is best thought of as itself enfolded. It is tempting to use the metaphor of an onion but to do so would perhaps be to invite conceptions of depth, essence and foundation. It is an enfolded topology of software and hardware: a camera, its CCD, the ‘in camera’ software including jpeg, a WiFi-enabled memory card, a WiFi  router and network, a web server and a web page.

Images taken with the apparatus are encoded as RAW and jpeg/JFIF files and directly uploaded to a server where anyone can see and/or download them… or not. Because if she tries to open/view an image that has been enabled by jpeg’s becoming and perishing as it encodes light as data, the image will open in the browser. The imag(in)ing will be render visible. If she clicks on that image’s sister RAW file (a software encoded record of exactly the same light), the image will not render. The browser will not “recognise” the format. Usually it will opt out of the visualising pipeline and offer to save the file. The imag(in)ing is unvisible.

My digital imag(in)ing device not show protocol – nor could it. As with all objects, it withdraws from view and all relations.. What it can do is show the gap where it works, its absence (in RAW imag(in)ing) as a way of highlighting its process nature. It is only when presented with its absence in an unvisible RAW file, that its nature becomes apparent. What it does show is the relations within which protocol works and through which it derives its power. As a jpeg/JFIF comes into view in a browser or on the camera screen or in the invitation from Flickr, Facebook or Twitter to upload, so jpeg’s fundamental enfolding with web 2.0 businesses and imaging industries becomes clear.

A further component to the apparatus disrupts those enfoldings. As a website directory, the files uploaded from the apparatus could be indexed and searched by software spiders from Google etc. Each imag(in)ing (RAW and jpeg/JFIF) could be catalogued, cached, archived and enfolded into data-mining businesses. I added a ‘Metapmorphosis’ script to my server that rewrote the name of the jpeg/JFIF files at regular intervals. This means firstly that there is a chance that someone clicking on a jpeg/JFIF filename will not see the imag(in)ing rendered because the link between name and visible data file has been broken in between the rendering of the directory listing and the request for the file. It also means that any attempt to pull my visible imag(in)ings into archives, search databases or indexes or datamines would fail as the search result/database entry would point toward a non-existint imag(in)ing… unless of course those search indexes and datamines worked with RAW, which on the whole they did not. A second ‘Cinderella’ script wiped the directory every night at midnight. Of course this does not wipe the imag(in)ings which could have been downloaded or cached during the day. What it does is to further disturb the ready connection between imag(in)ing and archive that jpeg enabled and social imaging/networking businesses depended on.

I look to account for the nature and working of the jpeg protocol through object-oriented philosophy as developed by Graham Harman. This non-relational ontology (OOO) argues that there is nothing outside the object. Objects withdraw from view (cf Heidegger), they are never fully present – just as jpeg is only ‘visible’ in its traces. At the same time, objects connect – as jpeg does across the distributed scopic regime. Rather than talking of relations between objects, as Latour and Whitehead do, OOO imag(in)es objects forming connections in the ‘molten heart’ of new objects at the same ontological level. Here jpeg connects with my WiFi card, in camera software, the iPad, Google’s search algorithm and Facebook’s datamining strategy etc. within new objects: the governmental database object, the Web 2.0 bubble object, the citizen media object, the wirelessness object (cf Mackenzie). These are not at a different level, as context, structure or network. They are other ‘actual’ objects within a flat ontology. My argument is that this approach allows us not only to map the computational/governmental topology more powerfully, but also open up what Galloway and Thacker call the Exploit – topologies of resistance. Furthermore, from a photographic perspective, it allows us to develop a practice that is not afraid of the suffusion of image-objects or feels the need to mimic fine art’s range and size (cf Fried). Rather it allows for a flat object-oriented imaging practice.

My project is not a discussion of philosophy but rather what happens when you treat protocol as an object.

An object-oriented approach allows us to approach and map jpeg without recourse to a foundationalist or essentialist position that would see it as the source of scopic effects or power relations. Rather it can be addressed as enfolded in archival, governmental relations because of its nature as an actant-process.

My project will appear as a thesis and the apparatus.

The thesis will consist of:

  • a ”theory chapter”. An outline of the object-oriented approach I am taking in terms of understanding protocol.
  • a “literature review” where I will concentrate on Alexander Galloway (and Eugene Thacker)’s discussion of protocol, tracing its relations to the development of software studies and accounts of the network and WiFi. I will also discuss that part of software studies and film studies that focuses specifically on standards and codecs. The second theme of the review will focus on media archaeological accounts of the ‘scopic apparatus’. The aim here will not be to engage with the debates about  periodisation but rather draw out the emerging concern for the material apparatus/object as an instantiation of forces and power. In particular I will focus on Matthew Kirschenbaum’s work on mechanisms. This review will work from an OOO perspective, providing an object-oriented critique and reading of existing perspectives on protocol and scopic apparatuses. Interwoven with this will be OOO readings of relevant creative works.
  • a “methodology chapter” will why the project needed to work from a practice-research perspective rather than as a purely theoretical one.
  • an “imag(in)ings chapter”. I use the neologisim “imag(in)ing” to draw attention to the enfolding I see between imaginary media, imagining and imaging. This chapter explores those connections through a discussion of digital data-space – Google, Facebook et al’s collection (and creation) of digital detritus – as a space of imaging and governmental imagining.
  • a “technical appendix” where I outline the technical position of jpeg within the “digital imaging pipeline”.

Alongside and interwoven with this thesis will be the “digital imag(in)ing apparatus”. This will consist of a series of visualisations or imag(in)ings including:

  • my images/imaginings of vibrant 2012 matter.
  • blueprints for and imag(in)ings of the “digital imag(in)ing apparatus”.

Struggle at the scale of objects not the level of networks

By working solely with objects rather than objects and relations, it is possible to explore the specific configurations of computational/governmental networks and approach political change at the scale of those objects rather than ‘network’.

Galloway and Thacker subtitle their book (2007) “A Theory of Networks” but in some ways this is to miss the point and even underplay their project. They set out to understand network politics, social, military and economic relations as well as new biologies using a framework that goes beyond a graph theory model built on nodes and edges. Galloway and Thacker see an urgency in this project as military forces and other layers in Deleuze’s Societies of Control (Deleuze 1992) adopt and adapt network models for their own forms of sovereignty, surveillance, governmentality and biopower. For Galloway and Thacker (in a point echoed in debates more recently about the role of networks in Middle East revolutions) there is nothing intrinsically ‘democratic’ about networks, nothing anti-statist. “networks and sovereignty are not incompatible. In fact, quite the opposite: networks crate the conditions of existence for a new mode of sovereignty. America is merely the contemporary figurehead of sovereignty-in-networks” (p 20).

Galloway and Thacker argue that the dominant model of networks, positining itself as opposed in some way to hierarchies and verticality, misses this ‘control’ nature of networks (a point Galloway had previously explored in Protocol (2004)). An imag(in)ing of networks along the lines of graph theory, a connect-the-dots picture of nodes and lines is “not enough for an understanding of networks; or rather, it is only a beginning” (p 33). Such a perspective, they argue not only forces a”clear division between actor and action” attributing agency to active nodes rather than passive edges, but has a form of ‘diachronic blindness’, an inability to see networks as sets of relations existing in time. Such a perspective imag(in)es networks in an “ideal or abstract formulation (a mathematical graph) estranged from the material technologies that, in our view, must always constitute and subtend any network” (p 34). Furthermore such a picture flattens subnetworks and thus protocological relations into a homogeneity. They see contemporary struggles whether political, military or “terrorist” as symmetrical, networks fighting networks. Their project is find a new asymmetrical “topology of resistance” – an “exploit”.

They conclude: “existing network theories exclude the lament that makes a network a network (its dynamic quality), but they also require that networks exist in relation to fixed, abstract configurations or patterns (either centralised or decentralised, either technical or political), and to specific anthropomorphic actors” (p 34). Just as Harman critiques his fellow actualists who remain tied to relations and thereby a context, so Galloway and Thacker critique accounts of network politics they see as rooted in abstract configurations or patterns. In contrast their model of networks is one starting from protocol. Protocols enable networks. They make them multiple, robust, flexible and dynamic (pp 60-1). They are layered (p 92). What is more they argue, referencing Whitehead,  “networks exist through process” (p 62). Networks only exist when they they are live. Their existence comes from their working, from the process “when they are enacted, embodied, or rendered operational. This applies as much to networks in their potentiality (sleeper cells, network downtime, idle mobile phones, zombie botnets) as it does to networks in their actuality.” (p 62). A model of the complex computational, bio, governmental, control topologies within which we live must, for Galloway and Thacker, be a model of protocol.

And thus, “the target of resistance is clear enough. It is the vast apparatus of techno-political organization that we call protocol” (p 78). With protocol imag(in)ed as at the heart of networks, a depth ontology necessitated by a focus on relations and processes, resistance, change and struggle take place at the level (sic) of protocol. The challenge is to reconfigure it via Exploits. “Within protocological networks, political acts generally happen not by shifting power from one place to another but by exploiting power differentials already existing in the system… [by] discovering holes in existent technologies and projecting potential change through those holes hackers call these holes ‘exploits'” (p 81).

Galloway and Thacker use the example of the computer virus which they position as a model of an exploit[ref]This is of course a vey different model from that developed by Jussi Parikka and his collaborators (Parikka et al 2009) expand…[/ref], using the monopoly position of a control network such as Microsoft. It is the nature of the network that allows a virus to “resonate far and wide with relative ease. Networks are, in this sense, a type of massive amplifier for action” (p 84). Viruses “exploit the network” (p 85). They use the layers, movement and flexibility that protocol gives to networks against itself. They “piggyback on the global standards of TCP/IP and other Internet protocols” (p 96).

In an almost Latourian phrase they say that one of their goals is: “to provide ways of critically analysing and engaging with the ‘black box’ of networks” (p 27). But from an object-oriented perspective, this is the problem. Galloway and Thacker approach protocol as an issue of networks not of objects. They push their analysis of it’s workings and power to a broader framework, a context. I would argue that it is not only graph theory models of networks that create “ideal and abstract formulations” but any model that focuses on relations rather than objects inevitably flattens the protocological connections into a homogeneity. Here a non-relational ontology, a refusal to step outside the object can help us develop just the asymmetrical “topology of resistance” – the “exploit” that Galloway and Thacker look for. Rather than concentrating on ‘networks’ and separating nodes and edges (that is not only ontologically problematic but also opens up debates about agency that distract us from dealing with configurations), we should perhaps imag(in)e objects at different scales – the 21 year-old recruit, the infrared googles, the software, the Haliburton business strategy and the network itself. All are objects, black boxes that withdraw from view but simultaneously connect in the molten heart of new objects in particular material spaces – the “private security object”, the “surge object”, the “soldier object”. These objects in turn withdraw from view and connect in the heart of new objects at different scales (n.b. not ‘levels’), including the object we sometimes.call the network[ref]The important thing in admitting ‘network’ to the democracy of objects is not to privilege it as somehow more fundamental or important than other objects.[/ref]. Here there’s is not the diachronic blindness, the abstract formulation or the homogeneity that Galloway and Thacker fear. Rather there is actual historical location, concrete objects and heterogeneity.

An account based on objects avoids the distinction between the potential and the actual. Here idle mobile phones and zombie botnets are not objects waiting for something; passive, sleeping actants unactivated by an outside force or context. Rather they are actual objects in particular configurations. The mobile phone and the telemarketing direct dialling software are not potential, they are actual. The meet in in the molten heart of a “mobile marketing strategy object”. And because they are actual not potential, they are open to struggle and configuration now, not in some potential future or space.

An imag(in)ing of the computational/governmental space based on objects not networks or relations, changes the focus of struggle and change. For Galloway and Thacker, counterprotocological struggle “must not be anthropomorphic (the gesture, the strike); it must be unhuman (the swarm, the flood)” (p 98). A virus does not fight the system, it overwhelms it. That struggle must be seen not as resistance but as “hypertrophy”  – a desire for pushing beyond. Viruses do not resist software they push it until it breaks. They clog up the server with too many requests. Finally, struggle happens in the spaces between the nodes, in the relations. “nodes will be conducted as a by-product of the creation of edges, and edges will be be the precondition for the inclusion of nodes in the network” (p 99). A virus’ power arises from the relations it enables, the overloads, the spam, the new configurations. Just as Latour and Whitehead argue, the object is nothing without its relations.

A non-relational, object-oriented account in contrast would approach the issue of computational/governmental protocol and power not as a matter of networks but of objects. It would explore counter-protocological struggle through objects not through their relations.

An object-oriented approach to protocol allows one to see the protocol object at the same scale as other objects in the computational/governmental topology. Here jpeg, TCP/IP, Photoshop, IE6, the IPad, Facebook’s face recognition algorithm and a police officer with a Nikon are all at the same ontological level. The governmental and biopower work happens as they connect  within the molten core of another object (n.b. not at another level) – the IT strategy object, the surveillance database object etc. Their status and power is not exhausted by being subsumed into a network or a context. By shifting at the imag(in)ing from network to object, the ways in which subjects are constructed can be addressed in terms of actual presences, vibrant matter, located experience not as the outcome of, or precursor to, something bigger or more powerful.

In terms of ‘struggle’, this means that one can avoid anthropomorphism because it is not that objects are human or even subjects. They remain distinct entities outside of any relations. They do not need verbs. The connection is not: “jpeg enables the state to archive protestors” (a relation). Rather it is: “jpeg is connected to a police office and his Nikon within the ‘surveillance object’”.

Galloway and Thacker’s second principle of hypertrophy can also be redrawn from an object-oriented perspective in such a way as to give it new power. If objects connect and reconnect within the molten core of another object, then pushing objects toward failure becomes more possible because one can look for ways of making more connections. A distributed denial of service (DDOS) attack works not by simply overwhelming a network but by reconnecting more objects (the https protocol, server requests, customers details etc) within the PayPal object.

Reversing Galloway and Thacker’s third maxim that struggles happens in relations, towards a focus on actual objects, also opens new possibilities. When the target of resistance and struggle is not the network through the objects but the objects themselves, success and failure is judged not on whether the “network is brought down”, the system changed, but rather whether new connections are made. This is not to seek a hierarchy of radical value with revolution at one end and liberal tinkering at the other, but rather to open up the possibility of micro reconfigurations. A focus on the code object not the whole Internet allowed the connecting of objects within the Apache server (object). This was not a revolutionary new Internet but rather a reconfiguration of objects whereby new possibilities for server-client relations were released. The hackers who brought objects together as they created the (open source) code for the Apache server were working with and through objects in the creation of a new object. Their connecting of protocols and code within the molten core of the new Apache-server-object was a form of exploit. Outside the software field, the sorts of projects and rethinking that Gustavo Esteva and Madhu Suri Prakash discuss {%Esteva 1998}, are examples of where a local, actual focus on objects brought into new alignments, constituting object (not network) black boxes opens up possibilities for counter-protocological, topological struggle.

  • Deleuze, G., 1992, Postscript on the Societies of Control, October, 59, pp. 3-7.
  • Esteva, G. & Prakash, M.S., 1998, Grassroots Post-Modernism : Remaking The Soil Of Cultures, Zed Books ; Distributed in the USA exclusively by St. Martin’s Press, London; New York; New York.
  • Galloway, 2004, Protocol: How Control Exists after Decentralization, MIT Press, Cambridge, Mass.; London.
  • Galloway, A.R. & Thacker, E., 2007, The Exploit: A Theory Of Networks, Univ Of Minnesota Press, Minneapolis.
  • Parikka, J. & Sampson, T.D., 2009, The Spam Book : On Viruses, Porn, And Other Anomalies From The Dark Side Of Digital Culture, Hampton Press, Cresskill, N.J..

I object

The debate between Steven Shaviro and Graham Harman in the first real collection of speculative realist writings (Bryant et al 2010), clarifies a number of issues, most particularly Harman’ attitude to Whitehead. Shaviro of course has been at the forefront of the recruiting of Whitehead for a new form of postmodern critique. In particular Shaviro has been keen to tie Whitehead to a particular reading of Deleuze as also a philosopher of becoming holding that: “Becoming is the deepest dimension of Being” (Shaviro 2009 : 17).

His critique of Harman (Shaviro 2011) is premised on what he reads as object-oriented ontology’s focus on substances and its consequent stasis which makes it unsuitable for addressing “a world where all manners of cultural expression are digitally transcoded and electronically disseminated, where genetic material is freely recombined, and where matter is becoming open to direct manipulation on the atomic and subatomic scales. Nothing is hidden; there are no more concealed depths” (Shaviro 2011: 289}. For Shaviro, while Whitehead and Harman share a desire to reject correlationism (the idea that the object is nothing more than its accessibility to humans (Harman 2011a: 22)[ref]The term ‘correlationism’ is Quentin Meillassoux’s{Meillassoux 2009}. While speculative realists argue over its form, they agree on its importance and power in western thought.[/ref]), and a concern for actualism (the idea that “there is nothing which floats into the world from nowhere” (Whitehead 1978: 244)), Harman’s focus on objects as exceeding their relations leads to a static perspective.

Harman not only defends his approach against this charge, going as far as to say: “object- oriented ontology (OOO) is the true philosophy of becoming and events”{Harman 2011@300}, but also uses it as an opportunity to read Whitehead not as a philosopher of becoming but rather a philosopher of entities[ref]Clearly this is a particular reading of Whitehead, one that Shaviro and many others would disagree with. My aim here is not to discuss the validity of that reading, but rather use it as a way of clarifying harman’s own position withe respect to objects and change.[/ref]: “Whitehead (like Bruno Latour) should be seen not as a philosopher of becoming, but of concrete, individual entities” (Harman 2011: 291). For Harman, Shaviro misreads Whitehead and consequently misreads Harman’s use and critique of him and his own project.

Harman argues that he and Whitehead share a concern of entities or objects as the subject of philosophical investigation. This is not the common caricature of Whitehead as a ‘process philosopher’ – far from it, Harman reads Whitehead’s “occasions” as a way of understanding the object, not rejecting the idea of entity. Where they differ, he says, is that Whitehead sees those entities as clusters of relations whereas Harman works toward a non-relational model of objects.

“The reason they can be called ‘occasions’ is because ‘the notion of an unchanging subject of change is completely abandoned’. An entity is not a durable substance undergoing accidental adventures in time and space: instead, ‘actual entities “perpetually perish”’. They do not lie behind their accidents, qualities, and relations like dormant substrata, but are ‘devoid of all indetermination’ (Whitehead 1978: 29) Actual entities are fully deployed in every instant and then instantly perish, attaining ‘objective immortality’ not by persisting over time (impossible for Whitehead) but by giving way to closely related yet new actual entities. In Prince of Networks” (Harman 2011: 294). For Harman, Whitehead and Latour are object-oriented philosophers insofar as they see objects doing things in the world. The problem comes for Harman in that they do not go far enough. For Latour objects derive their power and presence from their relations or alliances. For Whitehead they are moments of becoming. Like Bergson and Deleuze[ref]Shaviro of course ties Whitehead closely to Deleuze in his re-imagination of postmodern theory (Shaviro 2009).[/ref] this is primary, entities are secondary.

Harman says: “The major difference between my position on the one hand and Whitehead’s and Latour’s on the other is that objects for me must be considered apart from all of their relations… This does not mean that I think objects never enter into relations; the whole purpose of my philosophy is to show how relations happen, despite their apparent impossibility. My point is simply that objects are somehow deeper than their relations, and cannot be dissolved into them” (Harman 2011: 295).

For Harman a position derived from Whitehead and even from Latour alone cannot account for objects and change. Whereas Shaviro accuses OOO of denying relations and the possibility of change, Harman argues that only an account where objects are more than their relations, can address how objects do things, come into contact with each other and change.

Harman argues that an account of objects as constituted by their relations actually prevents an account of change. If there is nothing beyond relations, there is no ‘surplus’.”Every object would be exhausted by its current dealings with all other things” (Harman 2011: 295). Where Latour and Whitehead may argue that change is possible as objects become and perish (Whitehead) or enter new alliances (Latour), this demands that change is a series of discrete steps – new occasions or new configurations. For Harman this moves away from a strict actualist focus on the object to either advocating a second realm of objects (the “eternal objects” of Whitehead (Whitehead 1978: 61)) or a realm of potentiality beneath objects (the “plasma” of Latour (Latour 2005: 50)). Harman refuses to imag(in)e anything beyond the actual object. For him an object, if conceived as deeper than its relations, can account for change and networks without recourse to something else.

Harman argues that Shaviro reads the question of becoming and stasis as an issue of relation vs non-relation whereby if one rejects the primacy of relations, one is doomed to see objects in stasis, incapable of change and movement. “I contend,” he says, “that becoming happens only by way of some non-relational reality. An object needs to form a new connection in order to change, and this entails that an object must disengage from its current state and somehow make contact with something with which it was not previously in direct contact. My entire philosophical position, in fact, is designed to explain how such happenings are possible. Hence it is false when Shaviro claims that my rejection of Whitehead’s ‘perpetual perishing’ of entities implies stasis. Quite the contrary. For Whitehead, after all, nothing can change. An entity can only be exactly what it is and then give way to other entities that are a bit different, which then perish in favour of further entities that quickly perish in turn. There is no change whatsoever in such a philosophy, but only an endless series of frozen statues, which give the illusion of continuous alteration as we flip through them as if through those novelty card decks that allow children to watch moving cartoons” (Harman 2011: 300).

So, where Whitehead sees becoming as a series of discrete instants and Latour as a series of discrete alliances – both alliances outside the actuality of objects, Harman argues that potentiality is only possible when the object and the object alone are the focus. “If an entity is reduced to its relations (as Whitehead does) then that entity itself cannot be the home of any potentiality[ref]It is important to note that Harman rejects the terms “potentiality”. “I agree with Latour that ‘potentiality’ is a bad concept. It allows us to borrow the future achievements of an entity in advance, without specifying where and how this potential is inscribed in the actual. (And notice further that the work of potentiality is so often ascribed to formless matter, as if that solved any- thing.) With Latour I hold that there is nothing but actuality, and with Whitehead I hold that actuality is incurably atomic, composed of discrete individual entities. Potentiality is merely ‘potential for a future relation’, when we really only ought to be talking about actuality” (Harman 2011: 299). This is a move to focus on ‘actuality’ rather than join Deleuze and DeLanda in talking of ‘virtuality’. It is not that Harman rejects the idea of possibility or potential. He argues that OOO allows a new way of address movement and process, relations and alliances. Rather it is that he remains committed to the actual, specific object independent of foundation and essence even if that foundation is realtions.[/ref]” (Harman 2011: 298).

For Harman there are objects. That is it. Change happens in the world not as objects become and perish or enter new relations but as they connect. Connections are different than relations because whereas the latter depends on something outside the object – a context, a “quasi-plenum” or realm of potential, the former is a matter of objects. Here when an object connects with another this happens within the ‘molten core’ of a new object (note this is an object, not a network or alliance).  For Harman, “this contact might indeed be called ‘a sterile display’, since nothing automatically results from it. But the point is that it need not always remain sterile. Things can and sometimes do happen in the midst of this sterile relation…This model of contiguous entities in ‘sterile display’, but punctuated once in awhile by dramatic events, strikes me as a more adequate account of change than the truly sterile proclamation that everything is constantly perishing all the time. Becoming does occur: but in sudden jumps and jolts, not through a meaningless accretion of any-instants-whatever that float away in the canal of fluxion” (Harman 2011: 301).

There is no need in this framework for the object to perish or for the relations to be pushed to an outside context or structure. There is no need to take one’s eye off the object-ball. Rather the flux of objects (the assemblages, media ecologies, networks or whatever other term we use) can be addressed alongside an appreciation that objects also withdraw from view, they are difficult, even impossible to pin down or hold. By building an account of objects’ ontology and their working without recourse to ‘relations’, Harman can remain true to his reading of Heidegger[ref]It must of course be noted that, as with Whitehead and indeed Latour, Harman’s reading of Heidegger is not without controversy.[/ref], as well as the Whitehead/Latourian focus on objects’ actuality.

Harman’s OOO is a way of holding onto a Heideggerian belief in the withdrawal of objects while also accounting for object-networks. His is a framework that owes as much to Heidegger as it does to Whitehead and Latour. For Harman, objects do things in the world but they also withdraw from view. Just when you think you have them, they escape. It is only possible to account for objects’ working as well as their nature by remaining rooted in the actuality of the object and approaching its network working as a matter of objects not relations.

To bring this back to protocol. All three actualists would perhaps see jpeg as an object, an entity in the world. Latour would see it as constituted by its relations with other actants in the network (Google, Adobe, my camera, the WiFi Router etc). Whitehead would see it as a series of occasions, discrete instants of becoming and perishing (moments of encoding and decoding). Harman however would see it as an object that withdraws from view, that has an existence outside of its connections with other actants. Where Latour puts the emphasis on the network (relations) as what gives jpeg its presence and its power and Whitehead would stress the transience of jpeg as it encodes and decodes, Harman would put the emphasis on jpeg as something that withdraws from view, unvisible within software and in camera while at the same time in actual connection with Adobe strategy-objects, Apple software-objects, Google search-objects etc.

The advantage of Harman’s perspective that refuses to go outside the object (to a world of relations or occasions) is that one is never faced with having to provide a meta-framework (the network or becoming and perishing). Jpeg’s nature is not exhausted by Apple, Canon and the imager or even by its relation to them. It has a presence in camera, in software that withdraws from those relations, hence the impossibility of my experiments’ pinning it down.

For a relational framework the issue of jpeg’s involvement with Google and Facebook’s archives, the business practices and strategies at work within those archives as well as the governmental implications of those archives, is one of the relationship between the jpeg object and the Google algorithm object or the Facebook strategy object. For Latour these relations happen in networks (his plasma). For Whitehead those objects become and perish, countless instantiations of becoming. For a non relational framework such as Harman’s the jpeg object (an entity that withdraws from view) connects with the Google algorithm object (another entity that withdraws from view) not in some context or plasma but in a new object, a “jpeg-search object”. This new object is the site of governmentality and biopower and it is this object that is open to counter-protocological struggle (Galloway and Thacker 2007). By conceptualising the connections between jpeg and the archive as happening within objects rather than between objects we can see that new search-jpeg object as withdrawing from view while also seeing it as power-full.

To see the link between jpeg and Google’s search practices (with their issues of biopower and governmentality) as a relation (within an actant-network or as an issue of becoming and perishing) forces us to either look for a cause or context, a foundation or essence to that relation (technology, an assemblage, global capitalism) or to deny the possibility of change because there is nothing more than its current state of affairs – a particular instantiation of a relation/occasion. In contrast, by thinking of jpeg’s connection with search algorithms and governmental practices, datamining software or strategies as happening within the molten core of a new ‘search-jpeg object’, one is able to escape foundationalism/corelationism and also account for the changing nature of search/archiving and hence its governmental power.  It opens the door to what Alexander Galloway and Eugene Thacker call the Exploit (Galloway and Thacker 2007).

  • Bryant, L., Srnicek, N. & Harman, G., 2010, The Speculative Turn: Continental Materialism And Realism, re.press, Prahran, Vic..
  • Galloway, A.R. & Thacker, E., 2007, The Exploit: A Theory Of Networks, Univ Of Minnesota Press, Minneapolis.
  • Harman, G. 2011, Response to Shaviro, in L Bryant, N Srnicek & G Harman (eds), The Speculative Turn: Continental Materialism And Realism, re.press, Melbourne, pp. 291-303.
  • Harman, G. 2011a, On the Undermining of Objects: Grant, Bruno, and Radical Philosophy, in L Bryant, N Srnicek & G Harman (eds), The Speculative Turn: Continental Materialism And Realism, re.press, Melbourne, pp. 21-40.
  • Latour, B., 2005, Reassembling The Social: An Introduction To Actor-Network-Theory, Oxford University Press, Oxford ; New York.
  • Shaviro, S., 2009, Without criteria : Kant, Whitehead, Deleuze, and aesthetics, MIT Press, Cambridge, Mass..
  • Shaviro, S. 2011, The Actual Volcano: Whitehead, Harman, and the Problem of Relations, in L Bryant, N Srnicek & G Harman (eds), The Speculative Turn: Continental Materialism And Realism, re.press, Melbourne, pp. 279-90.
  • Whitehead, A.N., 1978, Process And Reality: An Essay In Cosmology, Griffin, D.R., & Sherburne, D.W. eds. Free Press, New York.

LR – intro: in which we are introduced

Introduction

Traditionally a ‘Literature Review’ painstakingly and critically recounts theoretical and empirical work in the area in order to demonstrate the legitimacy of the research and researcher as well as that elusive originality. In a practice-research project, the literature review is supposed to go beyond this synthesis of critical work and exegesis to include “engagement with the work of other practitioners”{Barrett 2010@188}. In her practical guide to the look and feel of a practice-research PhD, Estelle Barrett advises a “Literature and Practice Review” as: “a means of locating the research project in the field by providing the contexts of theory and practice”{%Barrett 2010@188}. Broadening the ‘texts’ to be studied and accounted for to include visual material, the literature review is positioned as a foundation, providing “context and pedigree for the practice”{%Barrett 2010@188} and “demonstrat[ing] how practice informs theory”{%Barrett 2010@189}. Graeme Sullivan similarly argues for a “visual literature review [which] repositions established knowledge according to a newly framed lens that is generally drawn from the purposes of a particular research project”{Sullivan 2010@202}. He likens it to the work of a curator developing an exhibition which: “offers an original interpretation that brings new insights into the field”{%Sullivan 2010@203}. Again here the look is backwards. Part apprentice demonstrating to the master, part father-figure arranging the canon. Here reading (and viewing) leads practice.

Accounts of practice-research can also hold the tension the other way around. Barrett says: “The relevance of subject matter and types of practices involved in the studio enquiry will determine what will be covered and discussed in the literature review”{%Barrett 2010@189}. It is not just the form of practice that drives the choice of literature to review, it is also the results of that practice. Sullivan positions practice as the “core”{Sullivan 2010@102}. His “visual literature review” is driven by that core, by what he finds in his practice, the questions it raises. Here practices drives the reading. This oscillation between driver and driven is apparent in Hazel Smith and Roger Dean’s “iterative cyclic web”{%Smith 2009}, with its dialectics of practice-led research mirrored by research-led practice{%Smith 2009@7}. This can arguably be extended to a similar dialectic between literature review and practice where one returns to the canon with new research questions, and returns to research with new concepts. Practice-led review: review-led practice.

Just as I take a slightly different approach to the practice-research method, so I look to move beyond this account of the position of the literature review. It is clear from my Methodology chapter that I took a particular approach to exploring jpeg in its relations with the distributed imag(in)ing of 2012. My theoretical position was enfolded with my practice and it was from this complex practice-theory system that my research emerged. As I discuss in the Theory chapter, my particular reading of Whitehead and later speculative realists offered a particular way of accounting for my object (the jpeg protocol) as a material technology and its relations (the scopic regime), one that offered me a way of developing a practice-research methodology built around emergence. This approach was not theory as background or context but as active player in the experiments and the research. Allowing this theory to clash with my practice enabled new knowledges to emerge. Without a clear theoretical frame, that complex dialectic would not have been possible. In a similar vein I look to collide my theory with the existing literature. Mine is not a neutral or objective literature review (even if such a thing were possible). It is a particular critical reading of the literature designed to clash an object-oriented account of the allure and metamorphosis of objects with existing accounts of software and the scopic.

Much of the work I look at comes from a different theoretical tradition or framework. My aim in reading it through the lens of objects is not to criticise or to somehow argue for my own ‘originality’ but rather, in the spirit of Benjamin’s literary montage method{%Benjamin 1997}{%Benjamin 2002}, to explore the potential of colliding different fragments (an object-oriented philosophy and an account of the scopic apparatus, an account of becoming and perishing with an account of the new media object).

By bringing my theory into contact with the existing literature, rather than seeking to approach that literature as a neutral reader, I can allow particular themes and problematics around the software object and the scopic apparatus to emerge. My aim here is not a comprehensive overview of software studies or media archaeology, a complete exegesis of Adrain Mackenzie’s work or of the development of ‘new materialism”. Rather by approaching these disciplines, authors and schools from a desire to work from a flat ontology and a willingness to engage with objects in terms of both stability and process process, allure and metamorphosis, certain themes and problematics emerge.

This theory hyphen literature approach allows us to see the nature of the object as a problematic within software studies and media archaeology – a discursive point that is talked about and worked with in a similar way to how the love of boys in ancient societies was a problematic for Greek and Roman societies’ imag(in)ings of themselves{Foucault 1990}. Problematics are productive they generate discourse. My aim in presenting an object-oriented reading of the literature (and later an object-oriented account of protocol) is not to claim I am outside that problematic. Clearly I am a player in that discursive struggle and production. Rather it is open up that problem as a key driver in the development and directions of software studies and media archaeology, whether it is the work of some authors who perhaps work from a depth ontology, an account of the software and new media object in terms of something more fundamental or essential, or the work of others who map digital objects as dynamic modulations.

Although I would argue that this object problematic appears across software studies and media archaeology, inevitably some areas of these discourse must receive more attention than others in a limited literature review. After brief genealogies of each discipline, I focus on a particular aspect: accounts of standards and protocols within software studies and approaches to the scopic and storage apparatus within media archaeology. My review therefore moves from a broad overview of a discourse to a focused, object-oriented reading of the work of Alexander Galloway, Lev Manovich and Adrain Mackenzie in software studies and Jonathan Crary and Matthew Kirschenbaum in the field of media archaeology.

This literature review also includes snapshots, sidebar readings of artists working with and through my areas of interest. I do not look to these works as illustrations or even simple stimuli to my review. Rather, inspired by the way Walter Benjamin advocated the writing of history through dialectical images, I look to create a ‘literary montage’ where readings of creative objects can form dialectical (image) relations with the literature review, working like a frame in an Eisenstein movie, a scene in Brecht or an index card in Benjamin as a disjuncture, a punctum: “The dialectical image is an image that emerges suddenly, in a flash. What has been is to be held fast — as an image flashing up in the now of its recognizability”{Benjamin 2002 @473}. For instance I look to my reading of Thomas Ruff’s Jpeg to do more than stand alone as a review. Rather I look to this creative review to collide with my literature review in such a way as to allow the central problematic that works through both to emerge. By montaging my Ruff review snapshot with my reading of Galloway’s Protocol{Galloway 2004}, the problematic of the jpeg standard as protocol object emerges.

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